When Rue fakes an orgasm, we discover that while Zendaya’s acting is admirable, Rue isn’t much of an actor herself. My personal favorite was their reproduction of Brokeback Mountain, featuring a mini horse and a dramatized makeout that provided much-needed comic relief for this episode.Īfter reveling in the delight of the film recreations, Rue and Jules’s sex scene brings us back to the desolate reality that is Episode 4-and it only goes downhill from here. What’s better is the ensuing sequence in which Rue and Jules recreate classic paintings and iconic film scenes among the likes of The Birth of Venus, Ghost, and Titanic, as Rue basks in her love for Jules. Yes, they’re finally doing it, but Rue is also so high on opiates she can’t feel a thing she says Jules might as well be licking her ankle. While this episode delivers on Euphoria ’s characteristic awe-inspiring visuals and memorable soundtrack, the plot and characters once again fall flat.Īs always, Sam Levinson throws us into the deep end with the episode’s opening sequence-how could we stop watching after something as alluring as last week’s butt shot? This episode opens on Jules going down on Rue, which I both love and hate to see. Of course it had its impressive, entertaining moments, but “You Who Cannot See, Think of Those Who Can” is defined primarily by its absurdity-which is in some moments a joy to watch, and in others, painstakingly difficult to sit through. But I finished this episode more appalled than amazed. “Euphoria” hits its breaking point in episode 4Įuphoria never fails to shock, and Season 2 Episode 4 is no different.
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